He made his first violin at the age of 15. Francisco Simplicio Hernandis (Barcelona, 1874-1932). He notes that Torres seems to have used an old neck that was originally made for a double course guitar, given that this guitar has a bull's horn headstock like Gutierrez used, it is possible that he got this neck from him. In 1897, Manuel moved his shop to the Calle Arlabán, No. Photo courtesy of: " Il Fronimo", nr. Ricardo Sánchís Nacher (Valencia, 1881-1960). ??). Vol. His studies rekindled his desire to make guitars, and so he moved to Barcelona to pursue his dream. Faustino died in 1988. Marcelo was trained by José Ramirez II, and gave José Ramirez III his initial lessons in guitar building. An example of his work is in the collection of Felix Manzanero, and according to Manzanero is among the best sounding guitars in his collection. Josef Alcañiz, a guitar maker from Murcia, seems to have been active at the end of the 18th century, beginning of the 19th century. A couple of examples are found in the Felix Manzanero collection. He had his workshop on the calle Caspe, no. He was with his father at calle del Pasquín 11 (1839) and at the Cuna Vieja, 181 (1844-1845) where Diego Costa was also living. The nephew of Juan Muñoa, Antonio was trained by his uncle. Rodriguez, Jr. Manuel. Basilio Marin Ferrer (Zaragoza, active c. 1890s-1910s). He died in Cádiz August 4, 1821. His guitars were not only widely imitated and copied, but as he never signed his guitars, and only numbered those from his second epoch, over the years many fakes Torres have been made, some made by well-know and expert makers. Joseph Martinez named after his father was the son of a luthier, and was trained by the elder Martinez. When Santos Hernandez died in 1943, Marcelo went to his widow to see about taking over her husband's old shop. These were difficult years for Torres, he was often in debt, and looking for more lucrative forms of employment. 1836-d. 1919). (2007). Despite the working conditions in his shop, Julian Gomez Ramirez produced guitars of genuine quality. He had two sons Gregorio Leal Alarcón and Juan Leal Alarcón both of who apprenticed with their father. There he married, and there his first son, José Ramirez III, was born. New York and London: Paddington Press Ltd. Gimeno Garcia, Julio. At any rate, he was trained by Isidoro. Don Blas Carrillo Alarcón was born in Casasimarro in 1836, and is the founder of the Carrillo guitar dynasty, now in its fourth generation. José Rodriguez Alamo, know as "Pepe," was the son of Miguel Rodriguez Serrano. He had a series of shops. The neck is notched at the heel where it is assembled with the sides to create a whole body. Sometime around 1740 he moved to Madrid where he continued to work until his death in 1779. His son-in-law, Enrique Romano Papell took over the shop when he died. When he was about ten or twelve years old he entered his uncle Benito Ferrer's shop as an apprentice, he also attended seminar school for a time, thinking he might like to become a priest, but changed his mind. They slowly began to look for ways to increase their production by mechanizing some aspects of building. Vicente Saurit was a luthier active in Valencia circa 1930 whose shop was on Pasaje Santa Lucia, no. He then returned to Granada and established his own shop on calle de la Colcha. A year later, Sancho was in Brazil. Today the Rodriguez classical and flamenco guitars are highly sought-after and continue to soar in price. Fernando del Olmo (Málaga, b. When Barbero died, his son Marcelo Jr. began an apprenticeship with José Ramirez, however, he left after a couple of years. Photo courtesy of: " Il Fronimo", nr. According to Romanillos (2002:18-19) in 1905 he was working with Manuel Rodríguez Pérez and Julián Gómez Ramírez. The Fine Guitar. Around 1816, he moved his shop to Calle de Sacramento, 177. He trained his son, Enrique Llorente, who took over his shop after his death. His label gives his address as Calle Carpintería, no. La Guitarra: Historia, estudios y aportaciones al arte flamenco. He was living on the calle del Bestuario when died April 11, 1759 at the age of 84. Josef Martinez was a luthier active in Madrid at the beginning of the 19th century. He later opened his own workshop on the Real Isla de Leon, (San Fernando, Cádiz). Their partnership is considered one of the most successful in guitar-making history. 115 well before 1890, and was the first teacher of Santos Hernandez. Address associated with this firm include: (1882) Barcelonia 17; (1910) Barcelonia 17 and General Prim 19; (1930) Barcelonia 15 and 17; (1945) Bacelonia 17 was renamed Hermanas Chabat 17; (1953) Barón de Cárcer 35. When he retired in 1936, Marcelo Barbero and Manuel Rodriguez negotiated with him for his workshop, but nothing came of it, he died in 1937. Torres arrived in Sevilla in 1845. 4 until at least 1875. Salvador Pau (Valencia, active c. 1830s-1850s). Dictionnaire universel des luthiers. With his death in 1929, the Lorca dynasty came to an end. was at Calle Sierpes 61. He was trained byJuan de Mata Alarcon Briones, who may have been a kinsman, as his maternal name was Alarcón, although not exactly with Juan's blessings. On leaving the army in 1898, he seems to have set up his own workshop on the Calle Nicolas Salmerón. 1882- d. 1971). One day, he broke the lock and went into the shop to observe all the details of guitar making that he still was unsure of, and although he lost his job on this account, once he had been able to make these observations, he was able to begin making guitars. Antonio Jiménez de Soto (Almería, active c. 1850s). Jaime Ribot was a luthier in Barcelona at the beginning of the twentieth century who shared a workshop with Bautista Alcañiz on the calle Ancha until 1920. Son of Miguel Rodriguez, from the age of 12 Rafael was trained by his father--along with his twin brother, Miguel. He appears to have done his apprenticeship in Italy building violins in the style of Guarneri. By 1864, he on the calle Carrera de San Geronimo, No. Mariano Ortega (Madrid, b. His shop was located on the He was succeed by his two sons, Telesforo Julve Torres (1917-2000) and Juan Julve Torres (1923-1996). In 1893, his guitars won first prize at the Chicago World Fair. Victoriano Alarcón Escudero (Casasimarro, b. Manuel Soto y Solares was a luthier active in Sevilla during the second half of the nineteenth century. By the time in married in 1745, he seems to have established himself as a guitar maker. He was a son of the guitar maker, Josef Sebastian BenedidDíaz, and learned his craft from his father. Although Jose Pernas (b.c. Alfonso Benito (Madrid, active c. 1930s-1940s). Pedro Fuentes a maker from Zaragoza seems to have switched from the typical fair of the first half of the nineteenth century, to guitars that were clearly inspired by Torres. Although Ignacio picked up his love of woodworking from his father who was a cabinet maker, he was drawn to music and began playing guitar at the tender age of eight.
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